- WHAT TRACK WAS MADE WITH THE WAVES SSL 4000 COLLECTION AND NOT THE ORIGINAL SSL 4000 CONSOLE FULL
- WHAT TRACK WAS MADE WITH THE WAVES SSL 4000 COLLECTION AND NOT THE ORIGINAL SSL 4000 CONSOLE SERIES
- WHAT TRACK WAS MADE WITH THE WAVES SSL 4000 COLLECTION AND NOT THE ORIGINAL SSL 4000 CONSOLE WINDOWS
The i nput gain does what it says, but the knobs next to it bear some more mention.
The master section has some unusual choices, and some rather obvious ones. The EQ can be placed before or after the dynamics, I won’t start that fight on where it works better because people get passionate and I’m just here for the channel strip honestly. The brown mode is smoother, while those big jumps are still noticeable, it isn’t nearly as aggressive. In black mode I found the EQ filters to be rather aggressive, with larger adjustments grabbing my frequency selections out and slapping me in the face. You’ve two shelves, which can be set to peaks, and two filters with adjustable bandwidth. If you’re not versed in vintage audio consoles this could be pretty confusing, but each option has different tonal characteristics. In its default state, it’s the black knob filters, mash the button and it becomes brown. The equalizer section is rather magical, as it models two different E consoles. All Frequencies Created Equal? Wouldn’t that sound muddy? The dynamics can also be set to operate on an external sidechain, which is highly useful. The expander operates largely the same but you miss out on the aforementioned hysteresis control. In gate mode it allows you to dial in hysteresis, the range of the gate, and the threshold.
WHAT TRACK WAS MADE WITH THE WAVES SSL 4000 COLLECTION AND NOT THE ORIGINAL SSL 4000 CONSOLE FULL
The gate/expander is also rather full featured. The G on the other hand is perhaps its more famous sibling, and has a nice snarly midrange and overall brings things slightly more forward, not unlike a more polite API 2500. It’s a smooth and pleasant operator, but it isn’t what I’d call in your face.
WHAT TRACK WAS MADE WITH THE WAVES SSL 4000 COLLECTION AND NOT THE ORIGINAL SSL 4000 CONSOLE SERIES
Now you might be asking yourself, what on earth is the difference? The E is an earlier revision of the 4000 series console, and I find the compressor lends a darker tone overall. There’s also some other nifty little knobs like a wet/dry mix for parallel compression on say a particularly lifeless kick, a high pass filter for letting some of those extreme lows escape, and a secondary release setting for fine tuning the action of the compressor itself. The attack is fixed but you have the option of a fast attack in addition to the release. The compressor itself operates from 1:1 ratio up to extreme limiting at an infinity:1. The dynamic section is comprised of two sections, a compressor and a gate/expander. Where’s the glue? I thought there was supposed to be glue There’s also these funky little buttons for something called TMT and stereo mode, but we’ll get to those. When you initially launch it, you’re presented with a very cozy little arrangement, with a pair of filters on the upper most left, the legendary dynamic section directly below, an EQ to the right, and a gigantic fader to the extreme right. It’s officially endorsed by Solid State Logic, which has its perks if you operate on name recognition or you’re a brand snob I suppose.
WHAT TRACK WAS MADE WITH THE WAVES SSL 4000 COLLECTION AND NOT THE ORIGINAL SSL 4000 CONSOLE WINDOWS
The 4k E, as I’ll refer to it because the whole name is a bit of a mouthful, is a channel strip running in VST2, VST3, and AAX for Windows and OSX. The bx_console 4000 E by Brainworx is one of those remarkable tools that you don’t quite understand you need at the time, but by golly did I need this as soon as I heard it on a bass channel. Solidly Stated? Where’s the logic in that? Now, my mixes sound more like inside of a clean dumpster, and that’s largely thanks to trusting my ears and leaning heavily on tools like a channel strip, and this particular one is among my absolute favorites. If you’re new, or perhaps skeptical, a channel strip combines all the core functions of a mixing console in a handy dandy little plugin that you just insert on individual channels during your mix session. I didn’t quite grasp the appeal, but I liked how immediate everything was.
Fancy equalizers with spectral visualization, compressors that show you exactly where the knee and slope of the compression activate, and a litany of other devices have graced my DAW and none have ever really stuck.Įnter the channel strip, I believe I was introduced to my first one with Audio Track by Waves back in 2013 or so. On my journey to obtaining mixes that don’t sound like the inside of a dumpster fire, I’ve messed with a lot of tools meant to make things “easier” for lack of a better word. Harness the power of the most famous British console ever produced. With the power of TMT this officially licensed SSL plugin allows you to build a 72 channel analog console in your DAW. The legendary sound of the Solid State Logic 4000 series consoles brought to you by Brainworx. Bx_console SSL 4000E is a channel strip modeling the filters, compressor, gate, and EQ section from the venerable mixing console by Brainworx.
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